Monday, 30 September 2013

Work Diary - Multiple Imagery

Shoot Evaluation:
This was one of the more enjoyable shoots for me as I thoroughly like the final outcome from this technique - I think that they look really effective. The shoot was relatively easy as I was able to envision the sort of end product I wanted to create so I was able to shoot the necessary images for it quite easily. I did however feel limited doing this shoot in college as for me personally there wasn't enough variety in the differnt objects available to us - the majority that I shot were trees, flowers etc, but neverthelss this does show where I could take this technique and develop it.

Here are two examples of some of the work I produced from today's shoot. I experimented by putting some of the images into an organised grid, whilst with the other I then took out the gaps between the individual images to create one whole photo.

I like the obscurity of this photo and how there is no real focus point for the viewer, the different images create an unusual pattern which draws in attention from the eye. This image has worked well because  trees are actually quite random themselves anyway, meaning that I could get away with placing the branches and the leaves in any order, meaning that if I had have taken even more images, I could have expanded the final photo to be even bigger, and even more detailed.

Because I intended to make this particular section of my shoot a Photo-Joiner, I decided to keep the gaps n between the individual photos because I thought it made more sense - because it was a vertical object, merging them together like in the photo above looked more messy than it did visually effective, which is why I decided to leave it the way I have done. The colours and lighting is really strong in this image which is what I love as it really draws attention to it, but if I was to improve it I would want to take some more images from higher angles to capture different details of the tree rather than just the trunk and the leaves surrounding it.




How could I apply this to my personal project?
I found some really inspiring images for this technique which can be found in my image bank. I like how it can be used to show a continuous change or alternatively, a contrast, which I may well do in some of my future planned shoots. Each time I add in a new photo to a multiple imagery piece, I could add in something of a completely different colour or texture (just examples) to build a 'collection' of different objects which contrast each other.

Image Bank - Multiple Imagery




Because we studied Photo-Joiner in depth during Unit 1 of Photography, I have decided to focus more on the grid-style of Multiple Imagery because this is something more new to me. The use of the multiple imagery technique is useful for making intricate patterns within a photo or showing different details and angles of a specific object. The different images can be put back together again to make a logical image which looks visually interesting because of the changes made, or in a non-chronological order which gives the viewer different focal points to look at. The majority of these images above are actually from a previous A2 student because this technique isn't often explored that well. 

My favourite image out of all six of these is the very first image of the sea. It is clearly the same photo taken at a variety of different times, which makes the photo look interesting because of the contrast in colours as the image progresses from left to right. I enjoy how you can see in this photo the change in lighting, as it gets darker towards the end of the photo, and is a usful example to me of contrasts. I like this particular technique also because of the actual shape of the imagery, as the majority of them do appear in a grid, whereas I like how this is created using vertical strips of images and could go on continuously if the photographer wanted. This is also useful as it helps to guide the viewer in the preferred direction whereas with grid multiple imagery pieces, the viewer won't know exactly where to look.
 
The very last image of the owl pocket watch is interesting because the photographer has really thought about the different angles that this object could possibly be looked at, including the inside and the outside. What draws my attention to this particular image out of all of them is the choice in using a sepia colour effect rather than black and white like the rest of the grid multiple imagery pieces. I think it brings out a certain characteristic about the particular object, making it much more eye-catching and interesting. I also like how the photographer has placed the different photos accordingly in the grid so that they themselves make a pattern, with the owl images down the centre, the floral pattern to the side of the central owl and then the clock faces at different angles in each corner.

Technique Page - Multiple Imagery


What is it? Multiple Imagery can take several forms, but it is the creation of an image using a group of photos. It could be a grid (see above), Photo-Joiner or a mosaic, for example.

Step 1: After formatting the camera like normal, photograph your chosen subject from different lengths and angles, capturing every detail of it. Make sure you photograph more than you need.
Step 2: Download the images to your computer. Open Photoshop and a new blank document/page. Open the separate images for your multiple imagery piece and re-size them to fit the blank document.
Step 3: Drag the separate photos onto the blank document and arrange them accordingly. Either arrange them in a grid setup like above, or if making a Photo-Joiner, rotate and move the images, on different layers, to reconstruct the original object.
Step 4: Once happy with the layout, flatten the image and adjust levels and curves like normal.

Key Photographer:

Wednesday, 25 September 2013

Photographer Research 2: Sucheta Das

About This Photographer:
Sucheta is an Indian photographer, specializing in photojournalism, after she developed a passion for photographing the problems of human life ever since being a young school student. Ever since, she has worked for an array of Indian Press publications, even starting up her own workshops in her studio for other aspiring photojournalists. I am fascinated by Sucheta's work for many reasons; I like the strong use of colour in the Indian culture, and I also like the variety of human problems she comes across as part of her job. I can take inspiration from these problems and reverse the photographs to form part of my Contrasts personal project.


Why Have I Picked This Photographer?
I have chosen to take a closer look at this photographer in particular because I wanted a photographer of a completely different culture and background to help inspire my own contrasts between different people. I also like that she picks up quite heavily on contrasts in her own work, especially with the use of colours which are so popular within the Indian culture. I also like that she isn't a well established photographer, and all of her photography styles and techniques are quite simple and basic, and will be easily applicable to my own work. It was also interesting to get an insight into what living is like in a country like India, and the similarities I could possibly replicate with British culture in my own work, such as the themes of poverty and child cruelty/labour.

Evaluation:


Like the last picture, this photo focuses on the recurring theme of child workers/slavery/poverty in India. The powerful message embedded from this photo comes from the little girl looking upon the elderly man smoking. Whilst the little girl, clearly very skinny and working hard for a trade is automatically contrasted with and juxtaposed against the crouching, elder man, smoking. This message is quite heart-breaking really, as it suggests the idea that this little girl works hard and still has everything to fight/live for, yet this elder person is literally throwing their life away by smoking. The black and white effect works well here as it builds on the saddening tone, making viewers feel guilty. I like the slightly more zoomed out crop of the picture here as it allows the whole scenario to be captured - it is not just these two people living in poverty, but practically everyone is. I also like how it allows the viewers to pick up on the variety of patterns associated with the Indian culture in the variety of clothing and the different products for sale. 


The idea of the Holi festival was actually one of the first things to inspire me to chose Contrasts as a topic for my personal project - I simply love how the different colours pop and stand out from one another. Holi is the name given to the powder that is thrown, but I may just use powder paint when I conduct something very similar. I like the composition of this photo to include the two different faces side-by-side to show the contrast between 1. male and female and 2. the red and blue powders. The tight crop on this photo is effective because it allows us as viewers to first look at the eyes as the main focal point, and then explore around the eyes to see the blends of the different colours. The colours in this image also work really well with the use of a brighter lighting by Sucheta - this brightness seems to illuminate the colours and give the picture an overall glow. I believe this would also work well in darker lighting if the colours where luminous to contrast against a blacker background. 


Colour and festivals are a huge part to the Indian culture. I adore the different colours, patterns and textures that are experimented with in this picture, and it shows brilliant contrast with, for example, the British/Christian culture. I simply love the colours used here because of their vibrancy and how well they all contrast with each other - makeup and face-paint is definitely another route I want to look down for my personal project. You could also argue that this person looks quite uncomfortable, not particularly happy, which interestingly contrasts with the person he has been made-out to be through the decoration. I don't particularly like the composition of this photo, for me it's to broad and basic. If I were her I would have cropped the image tighter or zoomed right in to focus on specific parts of the makeup and enhanced the curves to really increase the intensity of the colours. I think that makeup can be a huge opportunity to explore contrasts, like with this photo as an example, in many cultures makeup and paint is used to create alternative 'characters' for people to wear, and these often contrast and contradict the personalities of the people wearing them which could be a very interesting topic to explore. 





Despite being a photojournalist, I was quite surprised to see Sucheta use the Multiple Exposure/Multiple Flash technique you would most commonly see used by a commercial photographer, but for this particular photo, I think it looks super effective. This photo came from a portfolio themed around child poverty - looking into how children in India often have to go without food, work long hours and are in danger of contracting certain illnesses. I see contrast in this photo, not only from the use of black and white, but how in England we'd see it as very uncommon for children to be associated with severe illnesses, x-rays etc. yet here in this photo, Sucheta is juxtaposing a young child, which should be full of life and happiness, with an x-ray which could quite easily represent illness, poverty, sadness... death? The use of black and white and the smokey blurred effect adds to the dramatic tone set by the image, giving it all-the-more power to it's story and meaning.

Influence:
So far in my personal project, Sucheta has not influenced any part of my work, but I have made plans for a potential shoot in the future based on her work around the Holi festival, as I find the contrast in the colours really eye-catching and beautiful. Like some of the other photographers I have researched, I find some of her work on the more emotional side all the more captivating, and have also influenced me to look at the contrast of emotions in the future.

Summary:
The majority of other photographers I have looked at are all of a similar culture to my own, they are typically British, American or Australian, and I find that looking at Sucheta's work refreshing as I don't usually look into Asian or African photographers' work as much, but I have enjoyed seeing her colourful and emotional take on life. Sucheta is a rather modern journalist photographer, and I feel I will learn a lot from her based on her w

Photographer Research 1: Mary Ellen Mark

About This Photographer:

Mary Ellen Mark is an American photographer best known for her portraiture, photojournalism and advertising work. Mark focuses most of her work on children, exploring themes such as homelessness, addiction, prostitution etc. often combining the two together as she often captures 'real life' in poorer and third-world countries. I picked Mary Ellen Mark as a photographer to research because I like the obscurity of the themes of her work, and I believe I can relate this to Contrasts as I too can explore the way younger people are seen to do grown-up things and vice-versa.

Why Have I Picked This Photographer?
I have picked this photographer because I enjoy her interesting take on the theme of Contrasts. Instead of looking a the obvious, she uses people and emotions as her muse and I for one would definitely like to look at some of her photos for inspiration on my own work. Based in America, she travels the country a lot exploring mostly areas that are slightly poorer and less built-up than bigger cities such as New York and LA. Because she travels a lot, she gets to interact with a lot of interesting characters which has allowed her to really play with emotions, which is something I would definitely like to take a core focus on for my personal project. Not only does she explore the contrast in emotions, but she always shoots in black and white, which is also a more-obvious contrast.

Evaluation:


I like the use of black and white in most images, but I think that with this particular image, it helps to make the tone and emotion of this photo all the more disturbing. This photo has a really powerful message for viewers, no matter what angle they try to perceive it from. It purely depicts the story we see in society all the time; the skinny 'cool' girl taller and more powerful than fat, poor people in society. This photo screams bullying to me; the pose of the standing girl - smoking - depicts someone you would see in society anywhere in the world, thinking that they are cooler and better than anyone else. She's slim, and wearing a nicer costume, whilst the girl sitting down in the pool, suggests she feels inferior to the other girl - because of her weight? She's also not wearing a swimsuit, which suggests that perhaps her family don't have the money to afford those sort of clothes, but does that make the other girl a better person? No. Whilst the subject of bullying is a disturbing subject in itself, the fact that these two girls are young CHILDREN, makes it even worse to look at, but at the same time it's quite clever and beautiful to look at as an image. The contrast here is that, bullying to this extent - especially with the girl smoking - DOES NOT happen in children this age. Yes they do get into little fights every now and then, but to make the girl sitting down feel the way that she's feeling would take some serious adult-like torment, which contrasts the idea of perhaps children acting like adults, and adults looking like children.



Because of stereotyping in this society, we automatically look at the man in this photo and see him as poor, perhaps even look at him as a criminal, purely because he has that 'look' about him. This particular stereotype is necessary however to understand the contrast present within the photo. With a criminal, they are associated with being rough, angry, and incapable of loving or caring for anything - but here you have the character delicately holding a tiny creature on his finger. This scenario is strangely very similar to this year's Celebrity Big Brother. Runner-up Abz Love, a member of the former group Five, entered the competition with a fairly negative reputation - all people saw was a man with a shaved head, loads of tattoos and a typical London-bad boy accent. He ended up coming second in the competition when 1. he revealed that he has the condition Asperger Syndrome and 2. because he really showed off how he connected with nature. Because of these bad stereotypes associated with people, when never get to learn their true characters, which is why I love this image because the contrast between reality and the stereotype helps to show us who they actually are.


Now, one of the greatest, most common fears for young children - and some adults - is clowns. I think this is a particularly strong image because of the sheer torment and disturbing tone it enlightens. The contrast between emotions here is also so strong, and would definitely inspire me to do a similar shoot with very similar characters. The use of a gun prop here also heightens the intensity of the tone because it almost makes the fear of clowns all the more realistic - usually it's just the creepy makeup that puts people off, but with the clown supposedly threatening to shoot the girl, the fear becomes a lot more serious. The pose of these two characters also makes the tone more serious because of the way the clown has his arm wrapped around her slightly, as if to suggest that he has total control and empowerment over her. Although a simple happy and sad emotion contrast would look quite powerful, the sheer exaggeration of the clown's 'happiness' and the girl's fear and pain makes this photo really striking and eye-catching. I would have however, perhaps, removed some of the black and white effect, and used selective colour to maybe draw out some of the red in the makeup of the clown to suggest blood, pain, anger etc. 


Mary Ellen done a lot of travelling with circuses when photographing, which explains where the idea for this and the above photo originated from. Although that it is clear that the monkeys in this photo are just costumes, I do like the juxtaposition between human and animal life, and the idea that often dwarfs or other disabled people are compared to as freaks, or even in extreme cases, animals. What adds to the surrealism of this photo is the person/monkey on the right is holding a tiny little puppy in his arms, like any given human would hold a baby, this time comparing the idea of the animal and human world, rather than contrasting them. I think this photo is effective in showing the harsh reality of how people with disabilities are treated - these two people, just because they are short, are made to perform in silly outfits as part of a circus show - but why can't 'normal' people be expected to do this? I think looking at both the world of humans and animals, and ability and disability will be interesting topics to focus on for my personal project as the ideas both prove to shock the viewer.

Influence:
Although Mary Ellen's work is yet to specifically influence my work, I have begun to look into making plans for future shoots based on her work with emotions, especially those of children, and to also experiment with black and white photography. Although I don't want to make my work as controversial as Mary Ellen's, there are definitely some ideas I will be able to look at replicating myself, and I feel I will be able to make some really strong contrasts within my work, such as contrasting child and adult behaviour, as well as animal and human behaviour too.

Summary:
This controversial photographer has been one of my most favourite photographers to research because I have never come across photography with such strong messages in a very long time. I like how her editing is very minimal, and for her it is all about the actual photograph itself and the codes and meanings that they hold, rather than how pretty they look. I also think she is very clever for only ever photographing in black and white, or sometimes with a sepia filter,  as this really helps to control the mood and tone of her work, and all of this I want to look into bringing into my own work.

Monday, 23 September 2013

Work Record - Personal Shoot 1

Plan for the Shoot:
My plan for today's shoot is to look at two different contrasts; Firstly I am going to photograph a few peoples' faces against plain backgrounds, and then using two photoshop tutorials I am going to age my models gradually to show the contrast between young and old. This may even take the form of an animation, depending on how the shoot goes. Because I don't think it will take me too long, I am going to go to the town to photograph crowds of people, to show the natural contrasts between people and their appearances i.e. heights, gender, age, ethnicity etc.

Shoot Evaluation:
Because of the time needed to edit the first set of photos, I never got round to shooting my idea of contrasts within a social group. Instead, I did manage to completely shoot my ageing idea and nearly complete the editing - so I am happy with this aspect. I will perhaps take my social group idea and use it to shoot again on thusday.

Whilst shooting for my ageing technique, I feel like the results were good, but could be greatly improved. Firstly, I should have perhaps taken some more photos as not all of the images I captured were good enough for editing, and thus it limited my choice for the final product. Secondly, I feel like this would be greatly improved if I had shot the images in the studio - the images would have been a lot clearer and picked up more details to use in the editing stage, plus a plain background would have made selection around my models a lot easier.

As with the editing of my photos, initially I thought that process was going well - I managed to succesfully thin out my models' hair and sag the skin to make her look older, but I am struggling with the rest, and she doesn't look like she has aged as much as I wanted her to. The camera has not picked up enough details i.e. fine lines and slight wrinkles for me to duplicate and enhance, which is one of the biggest giveaways when it comes to ageing someone.




Development:
I would definitely like to conduct this shoot again after learning about the difficulties I have faced today. I would definitely consider shooting this in the studio to pick up on extra details, plus I would have to consider using a slightly older model i.e 25+ to make ageing easier. To also develop this idea I would also consider looking at generations as a theme for my topic. Instead of perhaps ageing one person, I could photograph different people of different ages and use this to create some sort of animation showing the transition between young and old.

Sunday, 22 September 2013

Research Log: Photographer List

Photographer List:




Male photographer from Slovenia. Born in 1967, Matej suffered severe injuries including the loss of an arm and an eye whilst playing with friends in an area scattered with old World War II explosives. He sees the art of Photography as a visually expressive method of showing his feelings and emotions, which is why he works a lot of the time with children and adults of mixed abilities and disabilities. I have chosen this photographer as inspiration for 'contrasts' as he explores both disability and ability as a contrast, and the contrast between the real world and the media.








This male photographer was born in Rome, Italy nearly 60 years ago. Edmonto focuses his skill on mostly portraiture and landscape work, exploring the natural beauty of his home country. Whilst his portraiture photography focuses a lot on the dynamics of black and white, his breathtaking landscape work uses the richest and most extravagant colours known to the earth, which is why I have chosen this photographer as an inspiration for 'contrasts'. I love how dramatic his black and white photos appear, showing a high contrast between the shadows and highlights across a person's face. I also love the interesting choice of pastel and bright colours in his landscape work, each time contrasting each other nicely.










This male Lithuanian photographer doesn't like to give much away about his personal life, he simply calls himself a 'great hero' and an 'all beauty and charm lover and guardian'. Looking at his portfolio, he is fascinated by the female body, and says that the less fabric, the more beauty in a woman. I particularly like Zilvinas' photography style - the colours have a certain 'edginess' about them; the setting tends to be quite dark and gloomy, whilst he contrasts the purity and beauty of the female body against them. I particularly like this photo as it contrasts the idea of ability and disability and would make for an interesting 'contrasts' topic.









Horst P. Horst was a German-American fashion and beauty photographer, famous for his works for Vogue Magazine. His photos have a certain elegant aura about them, which has made him one of the most famous photographers for the fashion magazine to date. Some of his photos are so iconic, Madonna even copied some of the poses in her music video for 1990 single, Vogue. I have chosen Horst as an inspirational photographer for my personal project because I feel I can learn a lot about black and white photography from him, looking at how to create something really elegant from such a simple technique. I also feel that I could try to replicate some of his iconic, elegant photos, and put a twist on them to show an extreme contrast between purity and evil/gore?











Paolo is a male fashion photographer, born in Italy, now living in Paris. He has worked with fashion magazines such as Elle and Marie Claire. He started life out as a reporter, but he gradually found a love of fashion photography through his friends who were all also reporters, before he started working for the chief art director at Elle. What I like about Paolo as a contrast photographer is that he captures female beauty in it's finest, but I like the gritty/grundgy edge he gives to photographs which makes them so special and so unique compared to other fashion portraits.












Mary Ellen Mark is an American photographer best known for her portraiture, photojournalism and advertising work. Mark focuses most of her work on children, exploring themes such as homelessness, addiction, prostitution etc. often combining the two together as she often captures 'real life' in poorer adn third-world countries. I picked Mary Ellen Mark as a photographer to research because I like the obscurity of the themes of her work, and I believe I can relate this to Contrasts as I too can explore the way younger people are seen to do grown-up things and vice-versa.







  • 7. Mohammad Moniruzzaman:

http://500px.com/mmzbdhttp://www.talkativepictures.com/http://www.flickr.com/photos/bacillus

This Bangladeshi microbiologist-come-photographer loves taking photos which represent the people around him and their lives, whether they be good, quality lives or lives filled with sadness. I really enjoy this exploration of life in Mohammad's work, because it so well represents his culture and would do to contrast with a typical British lifestyle. I also like how well he capture's a performance, and particularly, I love his Holi Festival photographs, because of the high contrast in colour.








Sucheta is an Indian photographer, specializing in photojournalism, after she developed a passion for photographing the problems of human life ever since being a young school student. Ever since, she has worked for an array of Indian Press publications, even starting up her own workshops in her studio for other aspiring photojournalists. I am fascinated by Sucheta's work for many reasons; I like the strong use of colour in the Indian culture, and I also like the variety of human problems she comes across as part of her job. I can take inspiration from these problems and reverse the photographs to form part of my Contrasts personal project.











This particular image has crept up quite a bit whilst researching my topic of Contrasts. This photo was taken by American Commercial/Advertising photographer Mark Laita. Raised by Lithuanian parents in Detroit, they then moved to Chicago when Mark was ten when he began to assist photographers as work experience after high school. He then went on to gain a BA in Photography in College. He has worked with a vast list of clients including Apple, Mercedes-Benz and Adidas. In 2010, he published a book titled 'Created Equal' featuring this photo and other similar images, which is why I chose him as inspiration for my project because I love his creativity in contrasting the human body.








HDR Photography is a popular way to explore the contrast of colour in imaging. Frank C. Grace, known as Trig Photography, focuses a lot of his work on HDR Photography. What I enjoy about HDR Photography is the enhanced use of colour and how the image appears to become a well-detailed painting or drawing. The American photographer, based in Massachusetts, is actually a Textile Chemist by profession, but takes up Photography in his spare time as a hobby.








Yago is a Spanish photography, fine artist and designer. He studied Fine Art in Barcelona, initially setting up his own creative studio and working on projects for companies such as Filmax and Chesterfield International. After six years of doing this, he decided to put this side of his life aside and focus on his Photography work, where he taught in a makeup school, before opening his own studio. He then went on to join the company for the Academy Award-winning Pan's Labyrinth, DDT SFX. Ever since he has been combinging his work as a conceptual designer and photographer working on his own series' of photography work, including the 'Zoo Portraits' where he contrasts human and animal life by pairing animals with specific clothing based on their personalities. 









Danielle Tunstall is a graphic designer and horror photographer from the UK. She says she likes using a plain background because it allows the viewers to focus all their attention on the subject, and that less is more and in that case you shouldn't have any unnecessary information in photographs. She has a real passion for gore but doesn't aim to shock the viewers, she simply likes to comment on everyday life and the human species through her work. She likes to incorporate the graphic-design part of her life with her photography work, making good use of her excellent and eye-catching Photoshop skills.






Joshua was bron in Kansas, graduating in 1991 with a B.A. in English Literature. After graduating, he found a passion for photography and started working as a photo assistant at Hallmark Cards before starting off as a freelance photographer. In 2008, he found a particular interest in shooting 'Horror photographs', stating that, "horror allows us to express repressed feelings, such as terror and rage." Ever since he launched his work online, he has gained a large number of followers, and a new wake of 'Horror Photographers' have begun to emerge. I like how there is an immediate contrast in horror photography, looking at the state of mind of a young child - innocent and pure - and their biggest, darkest fears. 










I was drawn to photographer Rachel as I liked how she contrasted reality and dreams in her work. Rachel was born and raised in Arizona, America, and found an interest for photography when her father gave her a camera for Christmas one year. She followed by learning about B&W developing and the darkroom printing in years at college. She combines her degree in Fine Art Design with her photography, creating mostly conceptual pieces and even working for clients such as Vogue. 



Thomas Kettner is a fashion, beauty and portraiture photographer from South Africa. Although eh now lives in Germany, he still frequently visits his home continent for he loves the nature and beauty of Africa for his various shoots. I think it is his use of unique compositions and his interesting take on everyday-life which draws me to his work. I am particulalry fascinated by his fashion and beauty work for his use of intense and dramatic colours and the sheer contrasts between light and dark. 




Ashley is an artist and fine art photographer, and she has a special interest in conceptual portraiture, abandoned buildings and moodscapes. Her portfolio has a recurring 'fantasy' theme, and I simply love the contrast between dark gothic colours and scenes with soft, pastel-y clothing and models. Her photographs are certainly very moody, and I love the way each photo tells a story of mixed emotions and feelings. 




Bagrad is a conceptual and portraiture photographer from Brussels. There isn't a lot of other information about Bagrad to be found. He created a photography book titled, "Matter Beyond" where he showcases his stunning work and exploration of the human body with intense colours, bright lighting and intriguing textures. What is most important about his work is that he mostly uses black models, which creates for a stunning contrast when he applies the vivd body paint. I also really like his exploration of editing, experimenting with various movements and blurs. 







Dave Hill is an American photography, focussing a lot on advertising and the media, as well as filmmaking. With a lot of his work, he uses a HDR filter which gives his images a strong dynamic difference between his work and any other advertiser's. The technique allows for strong contrast between the different colours within the image whilst still keeping all the vital details and textures to create a stunning and eye-catching image. I am also really fascinated by his earlier work with black and white landscapes. 



Henrik is originally from Denmark but since taking about Photography he divides his time between London and New York. He mostly works on advertising and editorial photography, but it is his personal exploration of life which captures my attention because I love his contrast of the beauty of the human body with the darkness of society. His deep contrast between natural darkness and extreme lighting causes for an intense look in his photographic work. 


I believe Seb Janiak is a photographer from France (indefinite). His work consists mostly of portraiture and landscape work, we he creates a series of projects for himself to prevent him from visiting 'the norm' in photography. With his landscape project, 'The Kingdom' I love his dynamic use of colours, shadows and the overall exposure of the image, allowing for sharp and high-contrast shapes and colours to be formed within the image, such as this sky picture. With his portraiture portfolio, he uses a collection of various colours and lighting effects which draw upon the interesting shapes of the human body and create high visible contrasts. 

Mindmap - Contrasts


Definition - Contrasts


See original file in folder for physical examples.

Summer Photography Work...


Thursday, 19 September 2013

Work Diary - Blurring

Shoot Evaluation:
I thoroughly enjoyed this shoot because of the visually interesting patterns and designs created through movement. Although I initially struggled to understand the concept of the studio's setup for this particular technique, I felt that once I had the camera in my hands and was taking the pictures myself, I fully understood the technique and was able to come up with some interesting movements for my models to create effective photos. Also, I found that actually capturing a decent photo was quite hard - I found that movements that were too quick tended to not look like anything at all, and movements that were too slow didn't show the blurring effect as much as I wanted it to. I found that the best results came from asking my model to partially move - moving just the arms for example, but keeping her body/head still - this kind of effect give viewers a central focal point whilst the blurring effect is created around it.

I like the final editing of this photo; the colours are really strong and the shadow that falls across Katie's face shows the form, giving off the idea that this is in-fact a 3D object-shoot. I think that this shot worked well because Katie kept her whole body more-or-less still, but has managed to move just the arms to create the 'swooshing' movement.
I'm also pleased with the editing of this photo - I changed the brightness and contrast setting to make Katie herself look lighter and more transparent - almost ghost-like. I like this effect because in turn it also makes the coloured scarves look brighter in contrast, and allows the readers various focal points to look at.






How could I apply this to my personal project?
With my current Contrast ideas in mind, I don't feel like this technique will fit into my personal project all that well. Saying this, I do know that this technique works quite well with dark backgrounds and bright lights being used for the movement, so this could perhaps be an interesting topic to explore looking at the contrasts of colours.

Technique Page - Blurring


What is it? Blurring is the capture of a movement in a photograph. Due to the movement part of or all of the picture blurs, sometimes showing a single focal point created by a selection of the image that stayed still. 

Step 1: Set up the studio for blurring. The camera requires a slow shutter speed and a continuous light source has to be set up - we used a bright red-head light.
Step 2: The black background needs to be set up, with it completely protected from the light using the polystyrene board.
Step 3: The white balance on the camera then needs to be changed to match the light source.
Step 4: The model then needs to step into where the light shines through and make a moving motion. The second the model starts to move, release the shutter once which then takes the complete image.

Image Bank - Blurring




Blurring in photography is all about capturing the movement of an object, where the blur appears to represent a fast-paced action. The blurring technique is really effective in blending colours together - or contrasting. Because of the fast-paced actions, the colours all appear to run into one another, which in some cases may show complimentary colours, and in other cases the colours may contrast - usually depending on the lighting. With the darker backgrounds, the benefit is is that all of the colours appear to contrast well. With lighter or patterned backgrounds, the colours seem to merge more than they do contrast. 

The use of bright lights works really effectively in all blurred photographs. With the top two images, neon lights in various forms create electrifying patterns and enhanced colours which contrast and stand out really well against a black background. The use of these lights are an advantage to any photographer because they can be used in any way to create interesting and artistic patterns and shapes. Especially with the first image, the lights create an interesting pathway for the viewers' eyes leading towards the centre of the image which is also an advantage for some photographers. 

What I do find interesting with some of these pictures is how the viewer perceives them. With the leopard picture in particular, although the blurred motion around the animal suggests that it is moving fast, because the focal point of the leopard is kept still, it gives off the idea that it might actually moving slowly - even though we know it probably wasn't. Blurring is a good technique to show shape also, like in the cat and mouse picture, because the background motion is so heavily blurred, that it gives the object a very definitive shape.